You're not always faceless. When you do appear on camera, the AI editor should treat your A-roll as the spine and route B-roll around it — not paper over the top of you.
What it is
Drop in your talking-head footage at the start of the project. The pipeline transcribes it, treats the transcript as the script, and curates B-roll scenes that cut around your delivery rather than over it. Caption styling, voiceover boundaries, and footage timing all respect the A-roll as the primary track.
Why it matters
Most AI video tools either insist on full text-to-video or treat your A-roll as a clip to splice in. Neither matches how an experienced editor works. We treat A-roll as the lead.
Who it's for
Half-faceless creators, channels with a recurring host, and anyone testing a face-on-camera format without committing the editing time.
What it looks like in practice
A six-minute monologue lands in the editor with the B-roll already cut in at every natural beat. You tweak the takes you don't love and ship.